conventionally attractive person: there’s nothing sexier than being yourself! be comfortable in your own skin!!
me, real life goblin with no prospects and a burden to my family:…….right
If you haven’t already heard, Donald Trump has slashed funding for advertising the Affordable Care Act enrollment period by 90%. He has also cut the funding for local organizations that help consumers navigate the buying process by 41%. The time period to enroll has also been cut in half, giving people only 6 weeks to sign up between: November 1, 2017 – December 15, 2017.
These cuts mean that less people will be aware of the enrollment period and less people will be insured. Less people uninsured will also mean a drive up in premiums, making insurance unaffordable for many more. This is an intentional move to make good on his promise to let the Affordable Care Act “implode,” but it will hurt many people in the process. Many people will unknowingly miss the enrollment period and we cannot let this happen.
Since the president is unwilling to inform the citizens we must take action into our own hands. Spread awareness about open enrollment. I made the image above so you can save it and share it to Facebook, Twitter, Instagram, and whatever other forms of social media you might use. Tell your family and friends. Do whatever you can to make sure that people who need this information get this information.
Enroll to make Trump angry.
Signal boost!
Please share even if you’re not in the USA, for your followers there!
on queering women in hip-hop, appreciation, and the power of a feminine legacy is finally up on @philadelphiaprintworks.
As a Black queer boy, female rappers embody much of the confidence we often aspire to and achieve. When Trina taught me to be the baddest bitch, I didn’t know that Queen Latifah had already told me I need to be addressed as “your highness.” When Foxy asked why “all the sudden all these rap bitches got accents too?” Nicki Minaj was ready to ask where the fuck is her curry chicken and her rice and peas? You see, it is in the way they demand to be referred to as a queen and the Queen Bitch, to be given what they deserve, to be adorned with the highest fashion and pop bottles right next to the male rappers, that a confidence so bold and unique exists and flourishes. They are able to embody a powerful, magical feminine strength that reads like confidence but feels like life being handed over in a syringe.
When I was the small boy who was still carefree and still had space in his chest for joy, Missy Elliott, and Left Eye were there to help me shake my hips; their music would bring me the movement and vibrations like in the Keith Haring paintings. When I was an awkwardly small child in a world that felt too big, Trina, Remy Ma, and Foxy Brown gave me the confidence I didn’t know I deserved but definitely needed. I heard Foxy tell me she has these rap bitches in a chokehold at least once a week. And when I became intimate for the first time and love tasted like sex, I had many Lil Kim lyrics that lent themselves to me.
Since it’s Foxy Brown’s birthday, I think it’s fitting to share this article I wrote a few months ago. ❤
here are some fundraisers i found to help people in countries who are going through hurricane irma (reply to the post if you know any other donation links i can add):
Controversial opinion, apparently: Don’t hit children.
It teaches them to obey out of fear, instead of for good behavior’s sake.
Even then, it has mixed results and often makes defiant children.
It causes long-lasting psychological issues that follow them to adulthood.
It ruins your relationship with that child because they will not trust you.
To everyone in the notes and my messages defending hitting children because I’m “spoiled” or from a different culture, I am a legal adult and my mother still spanks me. If I sleep in on accident she has no problem picking me up out of bed and hitting my butt with a shoe. She says this is strong discipline that I need to mature.
If you think what my mother does is wrong, what is different between my and a small child’s rights to bodily autonomy and a home without fear?
I would also like to say to everyone in the notes that was hit as a child, for or against:
You did not deserve it, under any circumstance, and I’m sorry you were hurt like that. Parents should not hit or otherwise physically harm their children and I hope you are okay, and if you aren’t, I hope you recover.
Watch the first minute and a half of this. Have a laugh! It’s okay to laugh! It’s pretty painful to watch. You’re getting a glimpse into how it feels to be a game designer watching playtesters.
So we all on the same page? Alright. So there has been a lot of discussion about this video online and I’ve been spouting off thoughts on twitter and I feel like I have enough to put them all down in one place. First, the boring one for me.
Don’t Games Journalists need to be Good at Games?
No. Absolutely not. “But if someone was bad at understanding movies or only watched kids movies, would you want them to review stuff?” Not the same thing. It’d be like saying only people who played in the NFL could comment on and critique NFL play. Which some people say, but most people agree is stupid. Knowledge and expertise do not necessarily imply skill. Also the consumer of game reviews are not necessarily great videogame players. For the average gamer, the opinion of an expert is just as far from their perspective as a poor player. Even with levels of play THIS poor, it’s important to remember that Platformer skill is a niche skill these days and nothing I’ve heard indicated that the player wrote a review or anything based off this. A journalist was just bad at a game. If you made me say, play a moba or a console FPS, I’d look like a jackass too, probably. Maybe not as much of one, but still. Maybe you don’t want someone who’s bad at a genre to review a genre (unless that’s the point of the review) but that isn’t the discussion people are having.
Not only is it okay, it’s BENEFICIAL. If every reviewer was good at games, whole areas of concern and accessibility would go completely unaddressed. More voices give more variety and more insight. You can argue about how those voices are used or w/e but they should absolutely exist. It’d be like saying ‘only great players should test games’ which is obviously absurd.
On Testing, and on the Game Design Perspective
So while everyone on twitter was burying this guy for being awful, pretty much every game designer I knew who was talking about it was like “okay but how do we make the TUTORIAL better???”. A lot of non-devs were like “WTH???” because to them it was like “Look this guy is CLEARLY bad and clueless it’s not the game’s fault.”
First things first. Even a complete knucklehead can teach you about your game. Bad players can teach you TONS of stuff. You might be like “Well why fix something to help people through who won’t be good at the game anyways?” because yeah, perhaps this guy wouldn’t be able to get far. But improving things like how the tutorial works improves things in little nice ways for everyone.
So what’s wrong with this tutorial?
It’s mixing elements really quickly. You have a dash you haven’t been asked to use yet and you have to jump, dash, and do so off a rock that isn’t a part of this section but is an obstacle for the last. Also you gotta do this pretty strictly at the peak of your jump. Some people made fun of him dashing into the pillar over and over again but in tons of games that’s actually WHAT YOU DO. Dash into things to break them!
Now most experienced players can figure this out, but if you can make things nice and clean… if it doesn’t take that much more effort, why -wouldn’t- you do it? Some people protested like “Well, it’s not fair to make devs compromise their creative vision for bad players!” Lets ignore the fact that, like I said, most devs were already all about how to make this better, who’s CREATIVE VISION involves a really quick tutorial segment? “JUMPING OFF THE ROCK IS FOUNDATIONAL TO THE MESSAGE OF THE GAME!” I’ll just tell you right now, I don’t know the Cuphead guys and I don’t know if it’ll be different in the final version, but I can tell you it’s not an important part of their vision. But what if it was?
Working on BEP I used to have real old school castlevania jumps. No air control at all. But then I had some friends test it who aren’t that great a platformers. One of them I saw struggling to jump up on things. They’d neutral jump and then try and press forward to get on platforms. And they’d do this over and over again. Pressing forward and jump at the same time from a stand still didn’t come naturally to some players. Walking to and jumping over a pit, sure no problem, but it screwed up their vertical platforming.
Obviously I didn’t want to compromise my vision for my own game but sometimes you gotta ask yourself “What IS your vision?” Was my vision “No jump control?” No. but I definitely wanted a jump that had weight and commitment behind it. I didn’t want the player to be nimble in the air. I wanted a slow, deliberate game. So I built up a jump to fit my needs. I gave the player a strong neutral jump – one where they could change to a forward or a backward jump arc at any time. Which was fun for dealing with projectiles. Then then for the normal jumps, I gave the ability to slow down or speed up a little. Jumps felt like braking while driving a heavy truck. The jump had character, but also fit my goals and ALSO fixed a lot of problems players had. So did I compromise my vision? No, I got a clearer understanding of my vision and executed it. Those changes also allowed for more challenging gameplay in later parts of the game so changing things for accessibility strengthened my vision and benefitted hardcore players in the end.
“Don’t worry, FDIC insurance has you covered. Oh wait. Shit. Fuck. Shit. I’m gonna get fucking murdered in my sleep fuck shit jesus’s asshole I am so fucking fucked”
The “Bitcoin Kingpin” looks exactly how I would imagine a kingpin of imaginary nerd money would look
I didn’t know it was possible to combine “slimy banker,” “huge fucking nerd,” and “complete lack of foresight” into a cohesive look and style, but this guy has really broken some aesthetic ground here
@reddragdiva I’m guessing you’ve probably already seen this one?
this was from the good old days, when mt gox collapsed in 2014.
since then mark went on the Japanese Justice System Diet Plan, where he confused them utterly by not confessing (because he did nothing wrong), though they kept him in there for several months anyway. this is him now:
it’s a meme in buttcoin that mark did nothing wrong. turns out it now seems likely the guys behind the recently-busted totally-not-the-russian-mafia exchange btc-e may have stolen most of the missing bitcoins from mt. gox. all mark did was be insufficiently competent at bitcoin security.
“i know php! how hard could running a bitcoin exchange be?” <– sign that things are not going to go well.
(my book chapter on mt. gox mentions what a sketchy mf jed mccaleb, founder of stellar, ripple and oh yeah mt. gox, was too.)
@magicaltux is an ok guy really. certainly has more of a sense of humour that most people would after losing 400 million frickin dollars. i can’t actually imagine that amount of money either.
Before the dams, the Elwha flowed out of the mountains, down a deep canyon, past rich bottomlands and grassy hills near its mouth. In 1880, the Washington Standard described it as one of those “rapid, cold mountain streams abounding with trout.” All five Pacific salmon species spawned in its waters, sustaining the economy of the Lower Elwha Klallam Tribe. As many as 17,000 chinook returned each fall, along with 96,000 pink salmon. One week in early September 1893, a fisherman reportedly caught nine wagon-loads of salmon in a single net — about 3,000 fish.
That all changed in the early 1900s, when the Elwha Dam severed the river’s headwaters from the ocean. The Olympic Power and Development Company built the dam during an era of rapid infrastructure expansion and economic change. The electricity it provided helped industrialize the town of Port Angeles, Washington, powering mills that processed logs from the forests of the Olympic Peninsula. The Elwha Dam’s success led to the construction, in 1927, of the Glines Canyon Dam upstream.
Neither dam had any kind of fish passage, in violation of state law. The river’s 45 miles were sliced down to just five. In the 1980s, the Lower Elwha Klallam, whose reservation sits at the river’s mouth, began to defend their treaty rights to the Elwha’s fish, pushing for the dams’ removal. Congress determined that the fishery would have to be fully restored and the destruction of the dams, rather than fish passage or mitigation, proved the only way to do that. In 2001, the government purchased the dams with the intention of removing them. It took a decade to actually do so.
When the Elwha’s dams came down, the removal of many other Western dams seemed likely. In some cases, the cost of bringing aging dams up to date exceeded the profit from the electricity they generated. Environmental concerns became unavoidable as fisheries faltered. And tribes increasingly asserted their sovereignty and pushed back against long-standing violations of treaty agreements.
While the political climate regarding dams has shifted under President Donald Trump, more removals are likely in coming years. In Utah, officials removed the 14-foot-tall Mill Creek Dam, as part of an effort to restore Bonneville cutthroat trout. In August, crews began removing Cline Falls Dam on the Deschutes River near Redmond, Oregon. And the Karuk, Yurok, Hoopa Valley and Klamath tribes have secured a deal to remove four large dams on the Klamath River in southeast Oregon and Northern California, starting in 2020 — a project that will surpass even the Elwha in scale.
The Elwha remains one of the most closely watched removals. In the past, most research has focused on isolated elements of what happens after a river returns, rather than the ecosystem’s overall response. As early as the 1990s, researchers discussed treating the Elwha as a “living laboratory”; they began to monitor the river prior to dam removal, accumulating over a decade of data. Every few years at the Elwha River Science Symposium, many of them share findings, plan further research and collaborate. There have been surprises along the way: For example, engineers failed to predict the effects of the bedrock rebounding after the weight of Glines Canyon Dam was lifted. After the initial blasting, the cliff that held up the dam collapsed, blocking fish passage and slowing sediment movement. In May, Elwha researchers and officials met with Klamath-area researchers, officials and tribal representatives to discuss what insights they might draw from the Elwha.
Ritchie’s research has provided some of those lessons. He was a last-minute hire, added to keep up with the river’s dynamics on a daily basis. Ritchie, a stocky, scruffy Washington native, grew up along the Elwha; his first memory of the river is of his father carrying him there in a backpack. When he got his driver’s license, he used it to go straight to the Elwha and fish. He calls the river his muse, talks about it like a sentient creature: “When my heartbeat matches her heaving breath at Goblin’s Gate / And tumbling boulders shake polished upturned teeth of slate,” he wrote of the Elwha in one poem, “I know I’m home.”
When Ritchie joined the Elwha project, his tools were rudimentary: 20 gauges placed along the river’s 45-mile length and handheld lasers and GPS to measure the river’s width. But he quickly realized that he could construct a more complete model of its movements by mounting a pair of cameras on the bottom of a plane and taking aerial photographs at rapid intervals. Over the course of five years and more than 100 flights, he collected countless pictures of the river’s flows. On-the-ground work detailed the amount of sediment suspended in the water and deposited on the river bottom. The result is a month-by-month reconstruction of the river’s wild movements, which have so far shifted 22 million tons of sediment downstream.
While the dams were in, the river ran in a straight and narrow channel. “You can think of sediment and wood as tools the river uses to shape and reshape the channel,” Ritchie says. The logs it carries can redirect its flow and build new banks; sediment builds up in the channel and flushes out to the ocean to form beaches and estuaries. Without these forces, the water dug a rocky chute, and the forest formed a skeleton that calcified the river’s course. With them, Ritchie found that the river quickly returned to its old, winding ways.
Below Lake Mills, it has whipped back and forth repeatedly, eating up two campgrounds and a road. At one site, an outhouse stands watch over a loop road that abruptly ends in a two-foot dropoff where the river ripped away several campsites. The National Park Service was forced to permanently close the popular campgrounds; it plans to rebuild one elsewhere. This spring, it began investigating moving the road to former Lake Mills to avoid a repeat washout. The Elwha “is reoccupying its historic floodplain,” Ritchie says. “Some would say ‘with a vengeance.’ I would say ‘with enthusiasm.’ ”
I still feel like shit about not being around when a friend apparently needed to talk a little while back. Because I was triggered all to hell myself and couldn’t language at the time.
Haven’t heard anything since then, and I’m really hoping they’re OK.
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