clocksarebigmachinesareheavy:

weareourowndevils:

bewarethebibliophilia:

sideshowcomics:

bewarethebibliophilia:

1970s canned goods label designs, from The Art of the Label by Robert Opie. We can see the Helvetica type family really taking hold in this era. And that Biba can was not a regular market item; those were high-fashion baked beans. 

My favorite design of the lot: meat and liver cat food.

There’s something very strict and minimalist about the evaporated milk can, it kinda looks liks something you’d find in a military ration or a soviet household.

That’s true, and there were many “generic” or “no-label” products common in the U.S. through the 1980s that featured packaging that was just the item name in all-caps black on white background (see: BEER), until it became apparent that this kind of packaging offered negligible cost savings and that they might as well try to dress them up a bit more.

Side note about Dougal: for anyone not already aware of the original show (The Magic Roundabout) there was an established history to this character in the mid-1960s to late 1970s, well before the infamous 2005 film. The US version of the film was especially notorious, though I haven’t seen it.

must be from the UK…i dunno….strange but i like the image

They are British. Tesco was a discount supermarket so the labels were designed to look like no money had been spent on creating them so the contents would be good value. Sainsbury’s was more upmarket so the labels looked more like thought had gone in to them, and therefore trying to make people think the contents must be good quality.

discworldtour:

“And that… boy,” the captain added, spitting the word towards Polly, “kicked me in the privates and almost clubbed me to death! I demand that you let us go!”
Blouse turned to Polly. “Did you kick Captain Horentz in the ‘privates,’ Parts?”
“Er… yessir. Kneed, actually. And it’s Perks actually, sir, although I can see why you made the mistake.”
“What was he doing at the time?”
“Er… embracing me, sir.” Polly saw Blouse’s eyebrows rise, and plunged on. “I was temporarily disguised as a girl, sir, in order to allay suspicion.”
“And then you… clubbed him?”
“Yessir. Once, sir.”
“What in the world possessed you to stop at once?” said Blouse.

– this whole exchange is gold |
Terry Pratchett, Monstrous Regiment

officialprydonchapter:

ink-and-daggers:

Children on Medicaid are 4x more likely to be on antipsychotics than those with private insurance.

I learned this the other night while reading The Body Keeps the Score (which is so far excellent and everyone who can should read it). The whole book is powerful and validating, but this particular fact keeps unsettling me.

I work with one of these children. Four antipsychotics in a year. None of the professionals who work with them will name trauma as the real reason for their behavior. Its just “severe autism.” It hurts and it hurts and it hurts.

I was one of those children. I was put on a high dose of Geodon from the age of 12 to the age of 14 and suffered semi-permanent neurological damage from it. 

I had no idea this was such a widespread problem, but it makes so much fucking sense that it is.

itsdetachable:

mango-pup:

all-the-horses:

DA Remote Control

Triften x DA Addiction

Partbred Arabian, Mare

14.3hh

Born 2000

Galaxy pony!

This is great! I was trying to look up what kind of genetics could cause a marking like this and found a few pages that feature DA Remote Control as a possible example of a Somatic Mutation where the genes for her dark coat randomly “switched off” creating the very interesting star field on her left side.

What a gorgeous horse!!

culturenlifestyle:

Matthew Simmonds Carves New Medieval Interiors Into Raw Marble Blocks

Matthew Simmonds is a British art historian who has reverted to stone carving. Gifted with a profound knowledge of historical monuments, and inspired by his rich academic background, the sculptor took on the initiative to restore these important landmarks literally with his own hands. Turning to stone sculpting, Simmonds carves elaborate miniature medieval interiors into raw slabs of marble, accurately documenting the structures like Westminster Abbey and  Ely Cathedral in his astounding artwork.

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